Thursday, September 20, 2012

Pit Fired Pinch Pots



Pit Fired Pinch Pots 


For the last 6 years I have done pit firings each summer out in Kittitas County at Green Canyon.  This year with the wildfires, I opted to stay in Seattle to fire my pit fired wares.   I made a special set of pinched plates, and platters for the firing and burned them in my back yard.



Pit Firing is a primitive firing process, where smoke and fire are recorded on the surface of a pot. No glaze is used,but the surface is made shiny by burnishing with a polished stone.  I used colored slips, some natural and some made with mason stains.
Hot Catz

Owl vase

Terra cotta face cup


A natural clay I use often  comes from the hills near Ellensburg . It is dark brown when soft and orange when fired.   It is a gritty basalt based clay that is high insulating, porous, and great for bricks. It cracks while drying, but will handle some burnishing.



Potters in Mexico and elsewhere use cow dung to turn their pots black.  Black also comes from burning other organic materials such as sawdust and seaweed.

Each piece is carefully stacked with organic materials laced in between, around, and inside.  The fire will be burnt slowly if possible to prevent uneven distribution of heat which may cause pots to crack.

                                                           Fire Pit with covering


I like pit firing because the artist is fully involved in the firing of the pots.  Selecting the proper fuel, the duration of the fire, and weather conditions help determine the outcome. Sometimes a firing just feels right.

 When the fire is raging i'll often sprinkle some salt into the fire to let some colors emerge, this firing however, was salt free....I let the fire burn out overnight with the pit covered.

 The next morning it's like opening presents..... mystery unfolds with each pot

These are the pots after the firing.  The one's to the right are student's work.
These pieces are still very fragile. They are also porous, which makes them unsuitable for food. They are nice as art though, once they've had a rinse.




Tuesday, June 5, 2012

Sketchbook Artifacts



  The importance of keeping a sketchbook or journal is essential to learning how to document the history of an artists work, and to reveal the planning and thought process involved in the act of creative thinking.  Since 1988, I have used dozens of spiral and hardbound sketchbooks.
College days
A trip to New York and a found photo of Mazinga Phaser....


Superflo Breadbox Cracker Jax


    Some pages are used like a scrapbook, containing relics from a recent past.  I like to use things like concert and movie ticket stubs, stickers, old labels, matchbooks, receipts,  etc.
    Sometimes magazines are also a great source for imagery.  Sometimes a few well placed cutouts can create a dynamic composition.
This is a 3 part composition:  background under foreground with a dove on top....

I love the sun.....

Space Oil

Hard Corps

Trying to think outside the box....
Even old envelopes turn into art...

I also use collage as a means of practicing composition(see above).  The paper pieces can be arranged as needed to maximize a message.  I like to chop up old textbooks from the thrift stores.   Sometimes the work is humorous, or it might contain a political message.  In 1997, I was inspired to start making "collage books."   Each book, loosely bound from pages and scraps of various papers usually centered around a theme, and like the sketchbooks had photos, drawing, painting, collage, and found objects added.  I also sometimes would make them under a pseudonym.  For books on flying I was Ace Pilot, a character name I also used at my job as the weekend family program teacher at the Museum of Flight.  I also made a book entirely about scribbling-- Quiggly's Guide to Scribbling.  In all I made over 120 titles from 1997 till recently.
  
 Other pages I've used to create drawings in charcoal and ink.
Sumi Ink
charcoal

 Sketchbooks are a handy way to draw and paint from life.  Their portability makes them quite useful.  Often a really interesting composition will happen from drawing while waiting for something.   I taught myself how to accurately portray the human figure by dropping in on open drawing sessions. Sessions are easy to find in Seattle and for as little as 5 bucks you can paint a naked (or clothed) person in various poses.  The sketches above are from a couple of those sessions.

  In my twenties I wrote a lot of poetry, which I would sometimes intersperse with art.  I also have dozens of journal entries in these books of trips taken abroad.
I used to fly a lot...

These are character sketches I did when I was about 17 years old.  I think I made them to cheer myself up during rough times.    They remind me of my trading card series.  

For awhile I was working on a portrait series and a cityscape series in painting and print....

Send in the clowns.....

Sumi and Walnut ink yum-yum

I like lists and statistics.   I like to record what I've accomplished and figure out what I am going to do next.  The sketchbook, helps to clear my thoughts.

These books also act as a place to deposit ideas that may re-surface later.  I like to make lists, or brainstorm all the possibilities.    Some ideas progress from there, and others never come to fruition.  The sketchbook helps to lay it all out and overall is a pre-cursor to the art itself.
Early linoleum cut print circa 1998

Electrical Tape Composition 

Digital photo of my dog Lizzy taken by P. Amann in Denton, TX  ca1995 (photo not altered)



Monday, May 21, 2012

Aaron's Intuitive Garden


Aaron's Intuitive Garden
At my place of residence on Beacon Hill, I have for 3 years built and maintained a garden that features a variety of edible plants, decorative flowers, and sculptural forms.I had read of the benefits of gardening,of having a relationship with the things we eat, and I took an interest in learning how to grow as many vegetables as taste demanded. Since I am mostly a vegetarian, it was practically a no-brainer and I thought that if I mixed in my art I could create an interesting place to be. A friend of mine had told me that it was easy to turn lawn and weeds into a thriving raised garden bed that could harbor life for birds insects and other creatures. Putting down a layer of cardboard on top of the grass and weeds was often enough to kill them. The roots of these plants leave behind a loosened soil structure capable of supporting deeply rooted vegetables. Our house which sits on a larger tract(lot and 1/2) than most of our neighbors takes a long time to mow and maintain, so the act of putting in the beds also subtracted from time spent mowing. 
As a sculptor I often look for homes for my unsold sculptures, particularly if they are large. The garden has become a happy home for many of these wayward forms.
I call this my intuitive garden because of how it has grown. I rarely plan out where I am going to place plants, though I have specifically at times built new beds or added on to an existing one for the purpose of planting a new arrival. The garden expands, as needed, and certain areas are sometime set aside for unknown purposes. In particular many of the varietals have their own space, but more often they co-mingle with other plants in a somewhat random pattern. Therefore someone might wonder why there is cilantro growing in my potatoes, and why the garlic is mixed between beets.
My rows are uneven, not evenly proportioned, and perhaps from an aerial photograph my garden might appear to be symbols from a lost culture. There are weeds. They thrive between the grass and the moss in the lawn. They appear suddenly from compost spread across the beds and after windy days and the rain. The garden never seems perfect and is always in a state of change. I suppose that the continuity of change is perfect in it's own way, just like the universe.
  In the garden is the bench from our wedding 10 years ago.
It is teak, though left unfinished and it weathers with moss and lichen in our memorial pet cemetery. Here lies Anna Belle the dog, Zane the turtle, and a pair of nameless rats.They were buried with care, and are now marked with a few sculptural monuments. (lower right)
Near the memorial lies the most important part of the garden-- the compost pile! We recycle all food waste which includes lots of peanut shells and coffee grounds. We also pile on grass clippings, pulled weeds, clumps of sodded dirt, and other garden waste. I like to chop it all up every couple of weeks and mix it together, to keep the stuff decomposing and to prevent critters from getting in. I use a hoe and my "army shovel", otherwise known as a trenching tool.
Once the compost has turned brown to black, and acts a little crumbly, I scoop it into a bucket and distribute as needed. I typically cover the entire garden with an inch or two of compost each year. In previous years, I layered and mixed in horse manure with the compost. This year I used seaweed both as a garden amendment and as a compost treatment. Before we moved to this house, the previous tenants had planted flowers and shrubbery around the house and at the borders of the property. Several Honey Locust trees shade the East side of our house with Plum, Oregon Grape, Holly, and Black Locust beside and below. A huge patch of Irises was already there, with Daffodils, Daisies, Lavender, Rhododendron, lilac, and other flowers covering the front entry. My only addition to these are a few Allium and Iris bulbs taken from my grandparents house in Pasco, WA. Though theses Irises haven't yielded any flowers, the Allium have performed well developing lovely purple balls that resemble Dallas Texas's spectacular reunion tower. I have also added a pair of hop plants that are producing more and more buds each year. The Oregon Grape, honey locusts, and other woody plants produce a lot of twigs and sticks throughout the year that they either drop during windy days or are left behind from trimming.
A use I have found for them is to reinforce, decorate, and add character to a standard cheap wire fence. The wires are intertwined with the sticks and branches. They make the fence look stronger and perhaps make it look more formidable against a large stream of strangers that continuously transport themselves along Beacon Avenue. Recently, I surprised a young teenage male after he kicked my fence two or three times in a combative manner. Obviously he was being playful and showing off in front of his school friends. However he was quite taken aback, even apologetic when I yelled "Hey, Don't kick my fence!" The fence suffered little or no damage.
  The garden also acts as an chronological exhibition space for my a sculptures as they have evolved in medium and style. Examples of ceramics from early in my career are laid among others of a more recent date. There are examples of works that are found primarily in their own form in nature, stone carvings, wood carvings, and other miscellaneous objects like beach pebbles, broken pottery, and sculptural fragments. There are a few objects that are symbolic tokens from recent journeys.

I have an area devoted to woody fungus, shelf and conch. One day a chicken bone appeared, camoflauged almost perfectly with the wood. I think a crow put it there. One of the first things that grew after building my first beds were little orange jelly cups. In another part of the garden on the black locust trees, artist conch appear near some cottage cheesy-looking fungus. I get excited to see these fungi, because I know that these are fruits of a vast mycological network interconnecting life through the soil.                                              On our cement patio is a wooden picnic table.  On the table I carve wood and stone, prepare sculptural materials, make ceramics, and sort seeds and plants. It is where I make all my bark, for mulching. Next to it is my bone yard, where rocks I intend to use for carving, and current sculptures unfinished lie piled aside. I have a small cinder block pit, that I have used as a place to fire earthen ware in primitive style. It is covered by two folk art salmon cut from sheet metal that were found in Kittitas County. Next to the patio are the vegetable beds. I grow potatoes in a green plywood box. Next to that I have celery, beets, purple kale, and mint. I have a long row of salad greens next to oregano, fennel, rosemary, and thyme. A large bed of strawberries next to a small batch of leeks. Then blueberry, blackberry, beets, onions, garlic, bell pepper, and rhubarb in a large patch. More potatoes, beets, onions and tomatoes in another row. Kale, garlic,onions attached. Hot peppers and tomatoes at the end. Several tomato rings are independent, some ringed by old bicycle tires. There is a beet and mint patch, with cucumber and squash. And there is even more. This year we even had a surprise visitor in our flower bed, some snow peas.
  This garden does attract some wildlife. Squirrels and raccoons visit. I see robins, juncos, wrens, nuthatches, and flickers on a regular basis. A pair of crows has a nest in one of our trees. We see ruby red-throated hummingbirds, little downy woodpeckers, and an occasional purple finch. Many of these birds prefer to forage on and beneath our plants particularly in our aphid infested kale. I've even seen a red tailed hawk which was mercilessly attacked by a gang of crows trying to seek sanctuary in one of our trees. The only owls though, are the ones I've made, and so far they only seem to keep the pigeons away. My intuitive garden offers me a place to escape the stress of life,it is my own private park to reflect on the direction of my life, and it is my home. On the weekends when others are away in search of a special place, I often find it right in my own back yard.