Showing posts with label Beacon Hill art. Show all posts
Showing posts with label Beacon Hill art. Show all posts

Tuesday, May 12, 2015

Found Object Art: Assemblages and 3-d Collage


These are some sculptures I made out of found objects.  A found object assemblage is made of various objects that are placed together to create a visual composition.   My first attempt at making sculptures like this happened when I was about 14 years old.  I had been to a gallery gift shop at the Maryhill Museum in Goldendale, WA and seen figurative sculptures constructed of nuts and bolts and wanted to make something similar.  My grandfather's garage in Pasco, had boxes and crates containing random nuts, bolts, and screws of every type.  Unfortunately I figured out that elmers and super glue wasn't up to the task. Nevertheless I collected numerous found objects for my own amusement which later became the foundation for dozens of sculptures.  Part of the process involves looking for interesting objects to use in compositions.  Streets and alleyways in industrial areas provide an excellent resource in the city.  Rivers, creeks, and beaches of all sort can provide a wealth of materials.  Abandoned and demolished buildings, empty lots also can reveals useful treasures.  Though some of these places may project an element of danger I have yet to be harmed or discouraged.





Seed Pod, Found Objects: Steel and sandstone on found wood pedestal. 1995

The Seed Pod is actually an old bucket that was used for containing railroad spikes.  When I found it, it was stuck in the sand beside some railroad tracks on the outskirts of Denton, TX .  The bucket  was also filled with sand and several small sandstone rocks were shattered inside.  Nearby were the remnants of other  buckets that were crumpled, torn, and shattered.  After studying the buckets I determined that they had been filled with sand and rocks and placed on the tracks by someone.  A train had obviously come along at a high rate of speed and pulverized the buckets.  This one remained somewhat intact and also happened to become a rounded object resembling a seed pod of sorts.  I've been dragging this thing around with me ever since.  A strange sort of forces and tools were made to create this piece of art




Untitled, Found objects earthenware brick, steel, copper, glazed earthenware

The objects here are assembled to make a totem of sort that could also loosely resemble a woman's breast.  It is made from worn brick, found in a creek, a rusted sey of ball bearings, and an old ceramic marble, found near a demolished house.



Funometer found objects 1998, when I made this piece I was struggling with bouts of depression.  The ring at the top was made of terra cotta and fired in a kiln I made out of found bricks, the turquoise disc is plastic and came from my job at the Alaska Airlines warehouse. The metal pieces were found in an abandoned lot.



This was one of the very first pieces I made right after I moved to Washington from Texas.   I stayed in Tacoma for my first  six months, living with my mother.  I used to frequent the old Tacoma waterfront in Old Town searching for bricks and other artifacts from the abandoned mills, which there were many. This is made of found objects: terra cotta, obsidian slag, rusted steel, iron, copper , nickel, cardboard, wood.  This sculpture used slag from the Asarco Mill in Ruston, WA.  Asarco was known for leaving behind a superfund cleanup site that polluted Commencement Bay and parts of Vashon Island with arsenic.  I'm not sure if the black slag is toxic, but it is glasslike, almost like obsidian.  I also used terra cotta in this piece and a  quarter dollar coin that somehow got trapped and re-milled in a dryer.  


Untitled, Wood, sandstone, limestone 1995.  This sculpture was made when I still lived in Texas.  I used limestone found in a creek, creosote coated wood found near train tracks, and a sandstone "eye" from Lake Ray Roberts

Untitled Found objects,  2003 Metal road debris, brass cutting, driftwood, plastic case

This "bird-head" object is really just a piece of driftwood, found in the Puget Sound.

Sunspot Found objects, 1996  metal, felt, rubber, and an old token
I used to spend a lot of time wandering near train tracks.  It was always a good way to find stuff and it reminded me of my dad, grandfather, and uncles.  Tressles where often the only way to cross creeks despite their obvious danger.  One time while crossing we almost watched a friend of mine get run over by a train.  While crossing a bridge in cowboy boots and not wearing his contact lenses, my friend was unable to rapidly put his feet forward to get off the bridge.  Hobbled by these factors the train bore down upon him and he narrowly escaped death by wrapping his entire body around a tressel girder.  He didn't even make it off the bridge.  The train which had been cruising at a speed of about fifty miles an hour barely was able to slow down, and blared it's horn all the while as it zoomed past. My friend, terrified was only able to peel himself off the girder after the train had passed.




In North Texas all the farms and ranches are becoming parking lots, warehouses, and shopping malls.  Often while driving around in the countryside you'd see land offered for development with usually an old barn or farm house still standing.  Sometimes, I used to enter these sites looking for objects.  Horse shoes, boot heels, and rusty metal was common.

Horsey detail , found objects 1996




Flower,  1997 found metal, wood,  canvas, mud, burlap. Found frame.  Acrylic paint, and epoxy



Untitled, Limestone, glass marbles, wasp nest 1994


Ghost Town Found Objects 1991
When you are an artist sometimes it is easy to incorporate things that are nearby and familiar.  When I was in college at the University of North Texas I had a job at an art and crafts store similar to Michaels. I used to take home the mat board scraps and old frames from the framing department to mount my objects.
Trans Am, Found Objects , Mat Board frame, 1995 


One of the best ways to search for found objects these days is to ride a bicycle around town.  Bicycles give you a closer glimpse of the world by enabling the rider to traverse alleyways, lots, trails, roads, and sidewalks with ease.  Often while riding I 'll see something on the ground that I have to circle back for because I was unable to catch it upon first approach.  Also the objects found are also road worn,  similar to the affects that one would get from something tossed about in a fast moving river.   

Sun,  Found Objects 2008  Plastic, wood, metal

Ocean View, found wood assemblage.  2014  
Bird,  1998 found copper and ceramic, wood fired terra cotta , thrift store frame
Most recently, I have using them to make things that are also assembled from new materials.  At Pratt Fine Arts Center, I welded together this obelisk from new steel.  Then I welded some found objects to add texture to the piece.  

Wednesday, May 22, 2013

Pit Firing and the Art of Destruction


On Monday, May 13th at approximately 8:30 AM I began to set up the fire pit at Alki Beach for a pit firing.   The pit firing was to coincide with my 42nd birthday.   I often like to celebrate my day of birth with an art event of some sort and I was eager to introduce some of my students to the process of primitive firing.

The fire pit at Alki Beach looking North.  Filled with sand, these iron hexagonal pits are first come --first serve at the beach.

Box of pre-bisqued pots for the fire.  I fired them in an electric kiln at  cone 018, to keep them from exploding.

Dry wood is essential for having a great fire, you want the coals to develop  so the fire gets hot enough to  leave various colors
Dried moss, sea weed, driftwood bits, saw dust and kelp also enrich the color spectrum.

For reds and yellows we sprinkled some copper oxides and sea salt onto the pots

At Alki there is an abundance of dried seaweed, which I used to line the bottom of the pit.   I also layered the seaweed and driftwood bits between and on top of the pottery.

I used some butcher paper scraps to help ignite the fire.  I also brought some wood chips leftover from my carving projects and some thick fennel stalks from the garden.

I start off with lots of smaller sticks stacked in a tee-pee style, then I ignite.

The fire burns and larger boughs are added.  When there is a bed of coals,  the pots are  possibly ready.

Pots that have their bodies exposed to the open air tend to come out lighter, while ones that are buried in burning debris often come out blackened. 

Here is a terra cotta coaster of an owl.    I used white terra sigillata for the accents


An owl vase and a primitive skull

Many of the were made with found and recycled earthenware.   I used clay from Beacon Hill and Ellensburg both as slip applications and as a sculpting body.

On the way home from the firing I was elated.  I was looking forward to rinsing the pots in the sink, but sadly things took a turn for the worst.  

The entire box of work slammed into the dashboard on impact, crushing or chipping  about 40% of the work

Shattered plate: Kittitas earthenware with various slips

Floater:  Beacon hill earthenware with Terra Sigillata and kittitas slip

Top: Bull Plate Terra Cotta mic with Terra Sigillata and terra cotta slip,Below: Owl Coaster Terra Cotta/Terra Sig,   Moon Platter  Beacon Hill Earthenware with various slips

More damaged work


Easy come easy go, luckily the guy had insurance.    Since a bunch of the pieces are ruined I'll just have to make  more.  After all the potter's motto is:

Make Another One!
  
Special thanks to Elaine Haegele and Ted Johnson for their participation.  I couldn't have done it without their help and enthusiasm.